Script and production

How to Write a Script for Voice Over

Write for the ear, not the eye: short sentences, one idea each, and every number, acronym and name spelled the way you want it said. A script that reads well aloud is recorded once and needs fewer corrections.

Last updated
Reading time
6 min
A short video version of this guide is on its way.

Most re-records come from the page, not the performance. A voice actor reads exactly what is in front of them, so anything ambiguous on the page becomes a choice made in the booth, and the choice may not be yours. This guide covers what to fix before the script leaves your desk.

Write for the ear

Spoken language is looser than written language. Sentences that look fine in a document can run out of breath when read aloud, and a clause that needs a second reading on screen cannot be reread by a listener. Keep one idea per sentence, put the subject early, and cut anything the listener has to hold in memory while waiting for the verb.

  1. Read it aloud

    Mark every place where you run out of breath or stumble. Those are the lines to split or simplify.

  2. Write numbers as they are said

    Spell out dates, amounts and ranges the way you want to hear them, for example “twenty twenty-six”, not “2026”.

  3. Resolve acronyms

    Decide whether “API” is read as letters or as a word, and write it down. The same goes for product and brand names.

  4. Add a direction line

    One sentence on who is speaking, to whom, and the mood. It replaces a page of adjectives.

  5. Mark timings only when they matter

    If the voice must land on a picture, give the cue. Otherwise leave pacing to the director.

A before and after

One line, fixed for the ear

Before

The N.S.F. report (Q3) shows a 12-15% rise vs. 2025.

After

The report from the N-S-F for the third quarter shows a rise of twelve to fifteen percent, compared with last year.

Why it works: The acronym is spelled out, the quarter and range are written as said, and “vs.” became plain words. Replace the example figures with your own; they are only here to show the form.

Lock the version

Changes after recording are the usual cause of repeated sessions. Agree who has the last word on the text, freeze the version, and send the final file with a date in its name. If the wording may still change, say so in the brief so the session can be planned in sections.

Before you send it

  • Every sentence can be read aloud in one breath.
  • Numbers, dates and symbols are written as spoken.
  • Acronyms, names and brands have a pronunciation note.
  • Tone is stated in one line.
  • The version is locked and dated.

Related questions

Should I include stage directions in the script?

Keep them separate from the spoken words, in brackets or a different colour, and use them sparingly. One line of direction at the top is usually enough.

How long can a sentence be?

As long as it can be read aloud in one breath at a natural pace. If you need to take a breath mid-sentence, split it.

Who decides how a name is pronounced?

You do, and the script should say so. Add a pronunciation line the first time the name appears.

Can I change the script after recording?

Small fixes can be re-recorded as pickups. Larger changes mean a new session, so lock the text first.

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