ייִדיש
Yiddish voice-over
Native Yiddish voice actors, cast for your audience and directed by our team. You hear a shortlist and approve a written quote before recording.
Real human voices
- Human
Real human voices
Every voice is a professional actor in a booth. No synthetic voices.
- Native
Their first language
Cast from speakers who grew up with the language your audience speaks.
- Directed
A director on every line
We listen for meaning, pace and pronunciation in the session, not after it.
Yiddish voices
No public Yiddish demos yet. We record samples on your own lines instead.
Samples on your own lines
Send a few lines of your script and we come back with Yiddish voices reading them.
Tell us about your projectWhat Yiddish voice-over is hired for
Hasidic communities
Yiddish is the daily language in many communities.
Cultural and academic work
Museums and universities produce Yiddish content.
Heritage projects
Archives and films use Yiddish for historical material.
Typical projects
- Cultural institutions
- Universities
- Community organisations
- Documentary makers
Yiddish in a voice-over brief
Yiddish is written in Hebrew letters from right to left and blends Germanic vocabulary with words from Hebrew, Aramaic and Slavic languages. Pronunciation and some words differ between communities, so a recording for a Hasidic audience differs from one for a secular cultural project. Archives, museums and documentaries use it for historical material, while communities use it daily. A brief states the audience, the spelling standard and whether a translation will be recorded alongside.
Accent and direction notes
What our director listens for in a Yiddish session.
Hebrew script, right to left
Scripts run right to left.
Different communities
Pronunciation differs between communities.
Words from Hebrew and German
Vocabulary blends sources.
What casting decides in Yiddish
Community
We confirm the pronunciation of the audience.
Register
Heritage work is expressive.
How we work
Casting
We shortlist voices for your language, audience and tone, and explain the difference between them. You choose, and approve a written quote.
Direction
A director runs the session against your brief: meaning, pace and every agreed pronunciation. You can listen in remotely.
Delivery
Every file is checked against the script word by word and technically, then delivered in your format and naming.
What decides the price
No price list: every quote is written for your project and states usage and the delivery date.
- Length
- Word count or running time of the finished audio.
- Use and territory
- Internal, online or broadcast; where it runs and for how long.
- Voice
- Some languages and voice profiles are scarcer than others.
- Picture and files
- Recording to timecode, splitting and naming add work.
Yiddish voice-over questions
Which Yiddish do you cast?
We confirm the community and dialect with you.
Is the script in Hebrew letters?
Yes.
Who reviews?
A native reviewer.
Related languages
Tell us about your Yiddish project
Four questions. A draft script or a word count is enough; you get a written quote before anything is recorded.
Request received
Thank you. We’ll reply by email with the next steps.
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