ייִדיש

Yiddish voice-over

Native Yiddish voice actors, cast for your audience and directed by our team. You hear a shortlist and approve a written quote before recording.

Samples

We send Yiddish samples chosen for your script.

Request Yiddish samples

Real human voices

  1. Human

    Real human voices

    Every voice is a professional actor in a booth. No synthetic voices.

  2. Native

    Their first language

    Cast from speakers who grew up with the language your audience speaks.

  3. Directed

    A director on every line

    We listen for meaning, pace and pronunciation in the session, not after it.

Yiddish voices

No public Yiddish demos yet. We record samples on your own lines instead.

Samples on your own lines

Send a few lines of your script and we come back with Yiddish voices reading them.

Tell us about your project

What Yiddish voice-over is hired for

  • Hasidic communities

    Yiddish is the daily language in many communities.

  • Cultural and academic work

    Museums and universities produce Yiddish content.

  • Heritage projects

    Archives and films use Yiddish for historical material.

Typical projects

  • Cultural institutions
  • Universities
  • Community organisations
  • Documentary makers

Yiddish in a voice-over brief

Yiddish is written in Hebrew letters from right to left and blends Germanic vocabulary with words from Hebrew, Aramaic and Slavic languages. Pronunciation and some words differ between communities, so a recording for a Hasidic audience differs from one for a secular cultural project. Archives, museums and documentaries use it for historical material, while communities use it daily. A brief states the audience, the spelling standard and whether a translation will be recorded alongside.

Accent and direction notes

What our director listens for in a Yiddish session.

  1. Hebrew script, right to left

    Scripts run right to left.

  2. Different communities

    Pronunciation differs between communities.

  3. Words from Hebrew and German

    Vocabulary blends sources.

What casting decides in Yiddish

  • Community

    We confirm the pronunciation of the audience.

  • Register

    Heritage work is expressive.

How we work

  1. Casting

    We shortlist voices for your language, audience and tone, and explain the difference between them. You choose, and approve a written quote.

  2. Direction

    A director runs the session against your brief: meaning, pace and every agreed pronunciation. You can listen in remotely.

  3. Delivery

    Every file is checked against the script word by word and technically, then delivered in your format and naming.

What decides the price

No price list: every quote is written for your project and states usage and the delivery date.

Length
Word count or running time of the finished audio.
Use and territory
Internal, online or broadcast; where it runs and for how long.
Voice
Some languages and voice profiles are scarcer than others.
Picture and files
Recording to timecode, splitting and naming add work.

Yiddish voice-over questions

Which Yiddish do you cast?

We confirm the community and dialect with you.

Is the script in Hebrew letters?

Yes.

Who reviews?

A native reviewer.

Tell us about your Yiddish project

Four questions. A draft script or a word count is enough; you get a written quote before anything is recorded.

Tell us about your project

Get a quote