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Korean voice over with native Seoul-standard talent. The speech level your brand uses is chosen deliberately, not left to the translator.

Korean verbs change their endings according to the relationship between speaker and listener. For commercial work the choice usually comes down to two levels: the formal -hamnida style, heard in news, announcements, banking and official communication, and the polite -haeyo style, which is warmer and dominates consumer advertising.
Both are correct. They say very different things about your brand. A delivery app in -hamnida sounds like a public service announcement; an insurer in casual speech sounds like it is not taking your money seriously. Translators often choose by habit, so we make it an explicit decision before the script is locked.
Standard Korean is based on Seoul speech and is the default for national campaigns, corporate and e-learning. Gyeongsang dialect, associated with Busan, and Jeolla dialect are instantly recognisable to Korean audiences and carry strong character associations. They are used for comedy, regional pride and drama, not as a neutral alternative.
Korean advertising absorbs a lot of English vocabulary, respelled in Hangul and pronounced the Korean way. The question for every script is which English terms your audience expects to hear in Korean pronunciation, which should stay in English, and which should be translated. Getting it wrong either sounds dated or sounds like a foreign company that has not localised. We flag every case at script stage.
Korean commercial reads tend to be bright and fast, and a delivery that would sound confident in English can sound flat in Korean. If you are adapting from an English master, tell us the reference read, but expect the Korean version to be directed to Korean norms rather than imitating the original.
Send the script and the target duration. Demos and a fixed quote usually within 24 hours, or see how hiring works.