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Thai voice over with native Bangkok-standard talent. A tonal language where the politeness particle changes with the speaker's gender, so the script follows the casting.

Thai has a constraint almost no other commercial language has: the standard politeness particle that ends a sentence differs according to the speaker's gender. A male speaker ends with khrap, a female speaker with kha.
The practical consequence is that a Thai script is not gender-neutral. If you approve a script and then change the voice from female to male, the script changes with it. Teams used to European languages routinely miss this and discover it when the recording comes back sounding wrong to a native reviewer, or worse, does not.
We settle the voice gender before the translation is finalised, not after.
Thai is tonal, with five tones. Pitch contour carries lexical meaning, so a tone rendered flat is not an accent, it is a different word. Combined with a writing system that gives no direct tone marking for every case, this is where machine-generated Thai continues to fail on anything longer than a short line, particularly across brand names and English loanwords.
It is also why a native check is not optional here. A non-speaker cannot hear the error at all.
This does not affect the voice and it breaks everything around it. Thai is written continuously, with spaces marking clause boundaries rather than words, so automatic line breaking, subtitle segmentation and text truncation all misbehave on software that assumes spaces.
If your project has on-screen text or subtitles, plan segmentation as a real task under localisation rather than assuming the tooling handles it.
Thai encodes social relationship in vocabulary to a degree English does not, with distinct registers for formal, everyday and royal contexts. For commercial work the decision is narrower than it sounds, but it still has to be made: corporate and institutional content sits formal, consumer advertising sits conversational, and mixing them across a campaign is audible.
Central Thai, the Bangkok standard, is the broadcast norm and covers essentially all commercial work. Regional varieties exist across the north, northeast and south, and they are cast deliberately for character or for regionally targeted campaigns rather than as neutral alternatives.
Send the script and tell us who the audience is. Demos and a fixed quote usually within 24 hours.